Every role is a restart
An actor is a performer. Which means: He performs.
He does this in many ways: he reacts to his partners, to incidents, to occasions, to situations. He picks up impulses from his partner like balls, throws them back or throws them further.
Improvisation exercises, imagination training, acting etudes & basic training
On this basis we build on the methods of Stanislawski, Chekhov, Meisner, Hagen and Strasberg. The choice of method is based on your acting personality, your skills and your previously precisely formulated goal, which we will work out together.
ACTING TRAINING
Improvisation exercises, imagination training, acting etudes & basic training. On this basis we build on the methods of Stanislawski, Chekhov, Meisner, Hagen and Strasberg. The choice of method is based on your acting personality, your skills and your previously precisely formulated goal, which we will work out together.
WORK ON ROLE AND SCENES
Who acts, works. Under this motto, we will work out the basics with you:
read the text,
create a role biography and work out the character's conflict,
explore turning points and changes in status, partner work
VOICE TRAINING
Targeted exercises loosen your breath. This will open up your voice and make it resilient. You become permeable to play impulses and even the great emotions no longer get stuck in your throat.
AUDIT TRAINING FOR THE THEATER
You want the role! Absolutely! It's the role of your life. But the competition never sleeps. It doesn't have to keep you from sleeping.
We put together suitable roles for you in which you feel comfortable and can present yourself optimally.
We use your special skills.
MENTORING
In the everyday life of an actor, especially in the theater, some “tricky situations” arise. So that the whole thing remains playfully easy and you can use your skills optimally, we take a close look at how you can optimize communication and best protect your resources.
ACQUISITION CONSULTING
For every freelance artist, their own acquisition should be part of their everyday work. Together we develop your acquisition strategy that suits you and takes up the realities of the film business. When lightness and fun come together, success is not long in coming.
Sponsored coaching
If necessary, GVL makes a financial contribution to professionals, actors or speakers who are already registered with GVL.
With a corresponding application, she participates in 12 individual coaching sessions over a period of 6 months, for example.
With coaching in the Studio Vocal-Acting, this can account for around 80% of the costs for an individual lesson.
This application can be made for a maximum of three consecutive years.
Interest? Then ask in the Studio Vocal-Acting, because further training pays off!
